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My First Wikimania Experience in Paris

By: Piyanist
5 September 2026 at 11:00

I’m Berkay, also User:Piyanist on Wikimedia projects. I have been contributing to Wikimedia projects since 2020. I’m member of the Wikimedians of Turkic Languages User Group, CEE Youth Group, and WikiPortraits.

My Wikimedia activities mainly focus on edits and corrections to Wikipedia pages related to my area of interest, adding cited informations, photography, Commons, youth-related projects, and topics related to music and culture.

In this report, I will share my experiences, observations, and highlights from Wikimania 2026. I will also describe the events I enjoyed the most during the conference.

Wikimania 2026 in Paris was my first Wikimania. I had attended other Wikimedia events before, but this was my first time experiencing Wikimania itself. During the conference, I joined sessions related to my interests, volunteered as a photographer at some activities, met new people and spent time again with friends I already knew from the CEE community. Some of the sessions also gave me new ideas about how I want to contribute in the future, especially through photography, youth activities and music.

The time between sessions was also an important part of the conference for me. During coffee breaks, meals and while moving around the venue, I met Wikimedians from many different countries and had conversations that I probably would not have had through scheduled sessions alone.

And of course there was also no shortage of small things to bring home. I collected stickers, pens, postcards, badges, notepads and other materials from different Wikimedia communities and projects, along with considerably less permanent souvenirs in the form of snacks and food. I kept some of these for myself, but I also plan to use many of the printed materials, stickers, and other items as materials for events we organize in the future. They can help me create a more visual stand where people can see different Wikimedia communities, projects and events instead of only hearing about them.

During Wikimania, I moved between many different sessions and activities. Sometimes I stayed until the end of a session, while at other times I left to see something else. Below are the sessions that I enjoyed the most or that gave me ideas about things I may want to work on in the future.

AI, Wikidata and the opening ceremony

One of the first sessions I attended was “If AI becomes the first web interface, how can the Wikimedia movement adapt? Communities’ levers.”

The discussion focused on how different Wikipedia communities are dealing with generative AI. Matthias Schindler shared an example about a tool made to check ISBN numbers in Wikipedia references. The tool helped identify articles containing fake references generated by AI. Some of the text looked normal, but the books used as sources did not actually exist.

The speakers also discussed how language communities can experience AI differently. One point I found interesting was that language models can flatten different perspectives instead of understanding the context of each language and community. The discussion was not simply about accepting or rejecting AI. It was also about understanding where these tools fail and keeping human review in the process.

If AI becomes the first web interface – Wikimania 2026
Piyanist | CC BY-SA 4.0

After that, I attended Philippe Saadé’s Wikidata MCP: Grounded SPARQL Query Generation.

He demonstrated how a language model can make a basic mistake while still producing something that looks technically convincing. In one example, a model trying to find female physicists who had won the Nobel Prize in Physics initially selected the QID of a dog breed instead of the Nobel Prize.

The workflow presented in the session separated discovery, structure inspection, SPARQL generation and validation. This made it easier to see where a mistake happened instead of only looking at the final answer.

Wikidata MCP Grounded SPARQL Query Generation – Wikimania 2026
Piyanist | CC BY-SA 4.0

Later, I attended the opening ceremony, which also celebrated Wikipedia’s 25th anniversary.

UNESCO’s Mariya Gabriel spoke about knowledge as a public good and about the responsibility of AI systems that depend on open knowledge. Wikimedia Foundation CEO Bernadette Meehan talked about the people behind Wikimedia. She reminded us that readers normally only see the finished article. They do not see all the discussions, photos, translations, corrections and other work that happens behind it.

Jimmy Wales talked about assuming good faith and making newcomers feel welcome. He also spoke about freedom, equity and the importance of keeping Wikipedia reliable. He also discussed misinformation bubbles and unequal access to information. One point that stayed with me was his description of Wikipedia’s role in the age of AI: its value is not simply providing the fastest answer, but providing information that can be checked and verified.

He also described Wikipedia as something built gradually through edits, lines of code and discussions rather than around one person.

The ceremony continued with the Wikimedian of the Year awards. I photographed all of the award recipients and later uploaded my photographs to Wikimedia Commons. You can access these photos from the following Commons category

Wikimedians of the Year 2026 Wikimania 2026
Piyanist | CC BY-SA 4.0

A morning inside the Sainte-Geneviève Library

The next morning, I joined an organised visit to the Bibliothèque Sainte-Geneviève.

We met at the Wikimania venue early in the morning, received public transport tickets and travelled to the library together. Before entering, I walked around the Panthéon area with other photographers and took street and architectural photographs.

Fontaine des Bois, Parcs et Jardins. 2026 Wikimania Paris Day 2. En route to Bibliotheque Sainte Genevieve

Fontaine des Bois, Parcs et Jardins. 2026 Wikimania Paris Day 2. En route to Bibliotheque Sainte Genevieve
Vysotsky | CC-BY-SA-4.0
Bibliothèque Sainte-Geneviève by Piyanist - Wikimania 2026 Tour Event
Bibliothèque Sainte-Geneviève, Paris
Piyanist | CC BY-SA 4.0

Inside the library, we visited the main reading room as well as storage and archive areas normally closed to the public. In the reading room, Pauline Rivière showed us the old book lift: a big wheel and rope system that once carried books up from the storage in a small box. She told us that the architect did not want staff walking around the reading room, because he found it not aesthetic, so the librarians asked the minister for extra stairs to make their work easier. In the storage areas, the books are shelved in little “waves”, so that small books do not get lost between two big ones. The old card catalogues are also still in use, because some records are not in the online catalogue. One massive old door even hides its lock; only a small trick of the architect opens it.

In the lower levels, we saw large collections of books, archive materials and older reproduction formats. Pauline showed us the microfilm archive: before digitisation, books and newspapers were copied on small reels, and readers can still use them today. She also explained how physical collections are digitised and made available through the Genovefa digital library. The library holds around two million documents in three buildings. When a reader requests a book, the request is printed in the stacks and the book is sent up with a small lift, in about twenty minutes. The rolling shelves stay only on the lowest level, because anywhere else their weight would harm the foundations of the building.

We also saw historical documents, rare books and materials connected to preservation and digitisation. For me, the most impressive piece was a planetary clock made in southern Germany at the end of the 16th century – one of the very few surviving in the world, and still working, showing the movements of the planets. The photos I took of the library and the archive area during these events are in this Commons category.

Microfilm boxes of the French news magazine L'Express (1996–2014) in the microfilm storage of the Bibliothèque Sainte-Geneviève, Paris, during a Wikimania 2026 guided visit.

Pauline Rivière explained how physical collections are digitised and made available through the Genovefa digital library. We also saw historical documents, rare books and materials connected to preservation and digitisation.

Photo: Microfilm boxes of the French news magazine L’Express (1996–2014) in the microfilm storage of the Bibliothèque Sainte-Geneviève, Paris, during a Wikimania 2026 guided visit. Piyanist | CC BY-SA 4.0

Photography and WikiPortraits

Behind the Lens: WikiPortraits on a Global Scale, presented by Kevin Payravi, Jennifer 8. Lee and other WikiPortraits contributors.

The problem behind WikiPortraits is simple: many Wikipedia biographies still have missing or poor photographs, but taking a good photograph of a notable person often requires being at the right event and having media access. WikiPortraits helps photographers attend and cover these kinds of events, so that useful photographs can later be uploaded under free licences and used across Wikimedia projects.

WikiPortraits now has more than 200 photographers from over 40 countries, and together they have uploaded more than 95,000 photographs. The group covered over 180 events in 2025, and another 169 events had already been covered in 2026 by the time Wikimania took place. These photographs are also widely used, receiving around 400 to 500 million views every month.

One part of the model was especially relevant to me. WikiPortraits encourages photographers to begin with events in their own area. As they build experience and a portfolio of Wikimedia work, the group can help with accreditation for larger international events. For some major coverage, there can also be support with travel or accommodation.

This connected closely with my own photography work. In Türkiye, I already photograph musicians, artists, concerts and other events. Until now, these photographs were usually produced for artists, organisers or their own media use, and I had not really connected this part of my photography with Wikimedia Commons.

The session made that connection much clearer for me. When licensing and other conditions are suitable, I hope to make some of my future artist and concert photography useful on Commons as well.

For me, this is a practical way to connect photography work I already do with my Wikimedia activities instead of treating them as completely separate things.

And after that session, I joined WikiPortraits. For me, this was one of the sessions I enjoyed most at Wikimania 2026.

Indigenous knowledge and responsible sharing

Respecting Indigenous Knowledge in Open Spaces.

The panel discussed Indigenous Cultural and Intellectual Property and Indigenous Data Sovereignty. The speakers explained why open knowledge is not only about copyright or whether something can technically be uploaded.

Cultural context, consent and the communities connected to that knowledge also matter.

The Wikimedia Australia team presented a guide that helps contributors think about culturally sensitive material and whether a source is culturally appropriate. One of the practical ideas was to ask not only whether material can be uploaded, but whether uploading it is the responsible choice.

Thérèse Ottawa also spoke about the Atikamekw-language Wikipedia project in Canada and its connection with education and language revitalisation. The project included work with younger people and schools, helping the language remain active in a digital environment.

This session connected with what I had seen at the library. Digitising cultural material can help more people access it, but we also need to think about how that material is shared.

Respecting Indigenous Knowledge in Open Spaces
Piyanist | CC-BY-SA-4.0

CEE Youth and ideas for future activities

Youth participation was another part of my Wikimania programme.

Bring in the Youth! Discussing Ways to Support Youth on a Regional Level. Participants shared examples from different regions and talked about mentoring, universities, informal activities and ways to support young contributors who may not have an active local community around them.

One example I liked was the use of simple social activities such as board game meetings. These meetings helped young Wikimedians get to know each other, and some later developed projects together. The discussion also looked at the role of regional groups in connecting young people who may otherwise feel isolated in their local Wikimedia community.

Later, I joined the CEE Youth session and workshop.

The CEE Youth social media working group currently has eight volunteers from different countries. The team meets once a month, talks through Telegram and works with a shared content calendar. The speakers were also quite open about volunteer burnout. Sometimes volunteers simply need to take a break from their responsibilities for some time.

During the workshop, we talked about who we actually want to reach through social media and what could make the content more interesting. We also discussed how the work could be divided between more people instead of relying too much on one person.

CEE Youth Group workshop at Wikimania 2026
CEE Youth Group workshop
KGruszczyk-CEEhub | CC-BY-4.0

Meeting WikiOrchestra

At the end of the day, I went to the WikiOrchestra rehearsal and met the conductor, Lukas Mezger

I told him that I am playing the piano and composing musics. I also mentioned that I had composed the opening music for the Wikimedia CEE Meeting 2024 in Istanbul.

There is also a separate diff post on this topic here:

We talked with Lukas about music at Wikimedia events and possible future collaborations. I had discovered the information about the closing choir late, but after our conversation Lukas invited me to join.

Manuscripts and the closing ceremony

On the final day, I attended From Wikilontar to Wikisami: How Regional Partnerships Power Community-Led Growth in Bali, presented by Carma Citrawati and Sakti Hendra Pramudya.

The session explained how work around Balinese manuscripts developed through local community participation and wider partnerships. The discussion was not only about scanning documents. It also focused on trust, local leadership and giving communities a role in decisions about their own cultural heritage.

For me, this connected naturally with both the Sainte-Geneviève Library visit and the Indigenous knowledge panel. All three showed different sides of digitisation and cultural heritage.

After the session, I studied the score for “Oh, Wikipédia!” and joined the WikiOrchestra and choir rehearsal. I spent hours working on the music, pronunciation, stage positions and performance.

Near the end of the closing ceremony, the WikiOrchestra and choir went on stage and we performed the song together.

Performing with the choir at the main amphitheater stage, became one of the most memorable parts of my first Wikimania.

Lukas and I also talked about future music projects. I also plan to continue composing original music for Wikimedia events when there is an opportunity. For me, music is not only something separate from Wikimedia activities.

Wikimania 2026 closing ceremony - WikiOrchestra
WikiOrchstra at Wikimania 2026
BugWarp | CC-BY-SA-4.0

After the ceremony, we joined the Wikimania 2026 group photo.

Wikimania Day 4 group photo with the Giant Wikipedia Puzzle
Wikimania Day 4 group photo with the Giant Wikipedia Puzzle
Simon Delahaye | CC-BY-SA-4.0

On the final day of Wikimania, there was another very literal example of how many small contributions can create something much larger. Wikimania participants worked together on a giant version of the Wikipedia Puzzle Globe outside the venue. When it was finished, the puzzle covered around 100 square metres and had 944 pieces. It was one of the largest jigsaw puzzles ever assembled in France. It later became the backdrop for the final group photo.

I also kept one of the puzzle pieces as a souvenir. Together with the badges, postcards, stickers and other things I collected during the week, it will probably become one of the more unusual pieces of my future student club stand.

The giant Wikipedia jigsaw puzzle at Wikimania 2026 in Paris, France
Manfred Werner (WMAT) | CC-BY-SA-4.0

Looking back at my first Wikimania

My first Wikimania included discussions about AI, photography, cultural heritage, youth activities and music.

But the experience was not limited to the sessions. Meeting Wikimedians from different countries during breaks, seeing the projects people brought with them and simply spending time with other contributors were also important parts of the week.

I returned from Paris with several ideas for what I want to do next, like connect more of my photography with Wikimedia Commons and WikiPortraits, become more active in CEE Youth and youth-related activities, and continue exploring ways to bring music into Wikimedia events.

I also want to continue contributing to the topics I already edit while trying these different forms of participation.

One useful part of Wikimania for me was seeing that some of the things I already do outside Wikimedia can also become Wikimedia contributions.

The week ended with the group photo, the giant Puzzle Globe (Of course, I took one puzzle piece with me.) and the memories and small objects I brought home from Paris. It was a memorable end to my first Wikimania.

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