Tonight, I set up a new Apple TV — well, as “new” as a refurbished 2022-though-still-current-generation model can be — and it was not a good time. I know Apple might be releasing a new model later this year, but any upgrades are probably irrelevant for how I have used my existing ten-year-old model. I do not even have a 4K television.

My older model has some drawbacks. It is pretty slow, and the storage space is pitiful — I think it is the 32 GB model — so it keeps offloading apps. What I wanted to do was get a new one and bump the old Apple TV to my kitchen, where I have a receiver and a set of speakers I have used with Bluetooth, and then I would be able to AirPlay music in all my entertaining spaces. Real simple stuff.

Jason Snell, in a sadly still-relevant Six Colors article:

The setup starts promisingly: You can bring your iPhone near the Apple TV, and it will automatically log your Apple ID in. If you’ve got the One Home Screen feature turned on, all your apps will load and appear in all the right places. It will feel like you’ve done a data transfer.

But it’s all a mirage.

One Home Screen is a nice feature, but it’s not an iCloud backup of your Apple TV, nor is it the Apple TV equivalent of Migration Assistant. It is exactly what its name suggests — a home-screen-syncing feature and nothing more.

I went into this upgrade realizing my wife and I would need to set up all our streaming apps again. (She was cool with it.) That is not great, but at least I had that expectation.

But even the “promising” parts of the setup experience did not work for me. When I brought my iPhone near the new Apple TV, it spun before throwing a mysterious error. After setting it up manually, it thought it was not connected to Wi-Fi — even though it was — and then it tried syncing the home screen. Some of the apps are right, but it has not synced all of them, and none of them are in the correct position.

Then I opened Music on my phone to try and AirPlay to both Apple TVs, only to find it was not listed. It turns out that is a separate step. I had to add it to my Home, which again involved me bringing my iPhone into close proximity and tapping a button. This failed the three times I tried it. So I restarted my Apple TV and my phone, and then Settings told me I needed to complete my Home setup. I guess it worked but somehow did not move to the next step. At last, AirPlay worked — and, frankly, it is pretty great.

I know bugs happen about as often as blog posts complaining about bugs. This thing is basically an appliance, though. I am glad Apple ultimately did not make a car.

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Lucy Mangan, the Guardian:

There have been a few contenders for the crown [of “televisual perfection”] over the years, but none has come as close as Jack Thorne’s and Stephen Graham’s astonishing four-part series Adolescence, whose technical accomplishments – each episode is done in a single take – are matched by an array of award-worthy performances and a script that manages to be intensely naturalistic and hugely evocative at the same time. Adolescence is a deeply moving, deeply harrowing experience.

I did not intend on watching the whole four-part series today, maybe just the first and second episodes. But I could not turn away. The effectively unanimous praise for this is absolutely earned.

The oner format sounds like it could be a gimmick, the kind of thing that screams a bit too loud and overshadows what should be a tender and difficult narrative. Nothing could be further from the truth. The technical decisions force specific storytelling decisions, in the same way that a more maximalist production in the style of, say, David Fincher does. Fincher would shoot fifty versions of everything and then assemble the best performances into a tight machine — and I love that stuff. But I love this, too, little errors and all. It is better for these choices. The dialogue cannot get just a little bit tighter in the edit, or whatever. It is all just there.

I know nothing about reviewing television or movies but, so far as I can tell, everyone involved has pulled this off spectacularly. You can quibble with things like the rainbow party-like explanation of different emoji — something for which I cannot find any evidence — that has now become its own moral panic. I get that. Even so, this is one of the greatest storytelling achievements I have seen in years.

Update: Watch it on Netflix. See? The ability to edit means I can get away with not fully thinking this post through.

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In a WhatsApp group of which I’m a part, there’s a heated discussion going on around an article published by NDTV on June 10, entitled ‘Sun’s Fury May Fry Satellites, But India Has A Watchful Space Protector’. The article was published after the Indian Space Research Organisation (ISRO) published images of the Sun the Aditya L1 spacecraft (including its coronagraph) captured during the May solar storm. The article also features quotes by ISRO chairman S. Somanath — and some of them in particular prompted the discussion. For example, he says:

“Aditya L1 captured when the Sun got angry this May. If it gets furious in the near future, as scientists suggest, India’s 24x7X365 days’ eye on the Sun is going to provide a forewarning. After all, we have to protect the 50-plus Indian satellites in space that have cost the country an estimated more than ₹ 50,000 crore. Aditya L1 is a celestial protector for our space assets.”

A space scientist on the group pointed out that any solar event that could fry satellites in Earth orbit would also fry Aditya L1, which is stationed at the first Earth-Sun Lagrange point (1.5 million km from Earth in the direction of the Sun), so it doesn’t make sense to describe this spacecraft as a “protector” of India’s “space assets”. Instead, the scientist said, we’re better off describing Aditya L1 as a science mission, which is what it’d been billed as.

Another space scientist in the same group contended that the coronagraph onboard Aditya L1, plus its other instruments, still give the spacecraft a not insignificant early-warning ability, using which ISRO could consider protective measures. He also said not all solar storms are likely to fry all satellites around Earth, only the very powerful ones; likewise, not all satellites around Earth are equally engineered to withstand solar radiation that is more intense than usual, to varying extents. With these variables in mind, he added, Aditya L1 — which is protected to a greater degree — could give ISRO folks enough head start to manoeuvre ‘weaker’ satellites out of harm’s way or prevent catastrophic failures. By virtue of being ISRO’s eyes on the Sun, then, he suggested Aditya L1 was a scientific mission that could also perform some, but not all, of the functions expected of a full-blown early warning system.

(For such a system vis-a-vis solar weather, he said the fourth or the fifth Earth-Sun Lagrange points would have been better stations.)

I’m putting this down here as a public service message. Characterising a scientific mission — which is driven by scientists’ questions, rather than ISRO’s perception of threats or as part of any overarching strategy of the Indian government — as something else is not harmless because it downplays the fact that we have open questions and that we need to spend time and money answering them. It also creates a false narrative about the mission’s purpose that the people who have spent years designing and building the instruments onboard Aditya L1 don’t deserve, and a false impression of how much room the Indian space programme currently has to launch and operate spacecraft that are dedicated to providing early warnings of bad solar weather.

To be fair, the NDTV article says in a few places that Aditya L1 is a scientific mission, as does astrophysicist Somak Raychaudhury in the last paragraph. It’s just not clear why Somanath characterised it as a “protector” and as a “space-based insurance policy”. NDTV also erred by putting “protector” in the headline (based on my experiences at The Wire and The Hindu, most readers of online articles read and share nothing more than the headline). That it was the ISRO chairman who said these things is more harmful: as the person heading India’s nodal space research body, he has a protagonist’s role in making room in the public imagination for the importance and wonders of scientific missions.