As we get closer to the next Wiki Loves Monuments competition in Iran, we wanted to take a moment to look back at the 2025 edition.

A year has passed since photographers across Iran once again took part in Wiki Loves Monuments Iran. The 2025 edition was organized by the Iranian Wikimedians User Group, with the help of volunteers and members of the Wikimedia community. The competition invited people to photograph Iran’s registered cultural and historical monuments and share their images freely on Wikimedia Commons.

We now have some distance from the competition and its results. This gives us a good chance to look at what happened, what we learned, and what we want to take with us into the next edition.

Wiki Loves Monuments Iran 2025

The Iranian competition ran from 1 to 31 October 2025.

During that month, participants contributed 2,513 eligible photographs. In comparison, the 2024 competition received 2,722 eligible photographs.

This was a small decrease, but the number of uploads tells only part of the story.

Iran has more than 33,000 registered monuments, spread across the country. Some are famous and already have many photographs. Others are much less known, and many still need better documentation on Wikimedia projects.

The goal of Wiki Loves Monuments is not simply to collect as many photographs as possible. We want to create a useful and freely available visual record of cultural heritage. A good photograph can illustrate a Wikipedia article, help people learn about a monument, or preserve a view of a place that may change in the future.

This was also an important lesson from our 2024 competition. Each edition helps us understand a little better how we can improve the contest and how we can encourage people to document more of Iran’s cultural heritage.

Selecting Iran’s finalists

After the competition ended, the national jury reviewed the photographs and selected the ten images that would represent Iran in the international round.

The first-place photograph showed Dayr-e Gachin Caravanserai, photographed by Hossein Pourakbarian.

Second place went to Mohammad Ataei for a photograph of the historic district of Gorgan, and third place went to Hadi Dehghanpour for a photograph of Arak Bazaar.

The ten selected photographs covered different parts of Iran’s heritage. They included caravanserais, historic urban areas, mosques, a bazaar, a castle, a monastery and other monuments.

These ten photographs then moved on to the international stage of Wiki Loves Monuments.

An exceptional international result

The 2025 international competition brought together photographs from 56 national contests. In total, almost 228,000 images were contributed by around 4,000 photographers around the world. Each national competition could send up to ten photographs to the international round.

The final result was especially memorable for Iran.

Four photographs from Iran were selected among the international winners, including both first and second place.

The Iranian winners were:

• 1st place: Dayr-e Gachin Caravanserai, by Hossein pourakbarian
• 2nd place: Mehmandust Tower, by Mehdi Akbari
• 5th place: Arak Bazaar, by Hadi Dehghanpour
• 22nd place: Seyyed Mosque in Isfahan, by Siavash Banaei

The full international results are available on Wikimedia Commons.

Seeing an Iranian photograph take first place was already something to celebrate. Having photographs from Iran in both first and second place made the result even more special.

The first-place photograph of Dayr-e Gachin Caravanserai had also won first place in the Iranian competition. It was chosen as the best image first by the national jury and later by the international jury.

But another result was just as interesting for us.

The photograph of Mehmandust Tower, which finished second internationally, had been ranked sixth in the Iranian competition.

This is a good example of why each country sends ten photographs to the international round instead of only its national winner. Different juries can see different strengths in a photograph. An image that places sixth in one jury may become one of the strongest photographs in the international competition.

The same happened, to a smaller degree, with other Iranian finalists. The photograph of Arak Bazaar was third nationally and fifth internationally. The photograph of Seyyed Mosque was fourth nationally and later finished 22nd in the international results.

For us, this showed the strength of the national top ten as a group, not only the strength of the first-place photograph.

More than the winning photographs

The international results were a great achievement for the photographers and for Wiki Loves Monuments Iran. But the winning images are only a small part of what the competition produced.

The 2,513 eligible photographs from the Iranian competition are now part of Wikimedia Commons.

They are freely licensed. They can be used on Wikipedia and other Wikimedia projects. They can also be reused outside Wikimedia by anyone who follows the terms of their licenses.

Many of these photographs will never win an award, but that does not make them less useful.

A clear photograph of a little-known monument can be more valuable to Wikipedia than another beautiful photograph of a landmark that already has hundreds of images. A photograph can also document a building, detail, landscape or condition that may not look the same ten or twenty years from now.

This is one of the reasons Wiki Loves Monuments continues to matter.

What we learned from 2025

Looking back, one lesson is clear: the success of Wiki Loves Monuments cannot be measured only by the number of uploads.

Iran received fewer eligible photographs in 2025 than in 2024, with 2,513 compared with 2,722. At the same time, the photographs selected by the national jury had an exceptional result internationally.

This does not mean that the number of contributions is unimportant. We still want more people to take part, and we want to document more monuments. But we also want to help participants create photographs that are useful for Wikimedia projects.

The international results also reminded us of the importance of having a strong and varied national selection. The ten photographs sent to the international round should represent different photographers, places, styles and ways of looking at cultural heritage.

Another important goal is to encourage more photography of less-documented monuments.

With more than 33,000 registered monuments in Iran, there is still a great deal of work to do. Famous places naturally attract photographers, but Wiki Loves Monuments can have an even greater long-term impact when participants visit places that have few photographs or no useful images on Wikimedia Commons.

We also want to keep making the connection between photography and open knowledge clearer.

Uploading a photograph is an important first step. Correctly identifying the monument, adding useful information, using the right monument ID, and eventually adding the photograph to Wikipedia articles can make that contribution much more useful.

Looking toward the next edition

As the next Wiki Loves Monuments Iran approaches, we want to build on what we learned from both 2024 and 2025.

We want to reach new photographers while welcoming returning participants. We want to encourage people to explore monuments that receive less attention. We want more high-quality photographs, but also more photographs that fill real gaps in Wikimedia Commons and Wikipedia.

Most of all, we want to continue building a free visual record of Iran’s cultural heritage.

The international success of the 2025 competition gave us something special to celebrate. Four Iranian photographs were among the international winners. Two of them took the first and second places in the world.

But the lasting result of the competition is much bigger than four photographs.

It is the thousands of freely licensed images that are now available to everyone.

The Iranian Wikimedians User Group would like to thank every photographer who participated, the members of the national jury, the volunteers who helped organize the competition, and the international Wiki Loves Monuments community.

As we prepare for the next edition, we hope even more people will join us in photographing, documenting and sharing Iran’s cultural heritage.

There are more than 33,000 monuments to document.

There is still a lot to photograph.

Every August 19, the world celebrates the camera as a tool of connection — and for the free knowledge movement, it’s also a reminder of what a single photograph can unlock. On Wikimedia Commons, a well-lit image of a market stall, a sacred hill, or a rare frog isn’t just decoration. It’s the visual backbone that lets millions of Wikipedia readers actually see the subject they came to learn about.

Copyleft was never a synonym for “low quality”

There’s a persistent myth that free-licensed photography is a compromise, that the “good” images live behind stock-photo paywalls, and Commons gets the leftovers. Our community’s work says otherwise. Across campaigns like Wiki Loves Africa, Wiki Loves Earth, and Wiki Loves Monuments, Malagasy wikimedia contributors have uploaded more than 7,000 photographs to Wikimedia Commons; many shot with the same care, composition, and technical rigor as a commissioned assignment. Free licensing describes who can use an image, not how well it was made.

The real ROI of a free photograph

For a professional photographer, “return on investment” usually means a sale. But contributing to free knowledge pays out differently and almost certainly further. A single well-tagged image uploaded once can illustrate an article read in dozens of languages, get pulled into news graphics, textbooks, museum panels, and other Wikimedia projects, and keep circulating indefinitely without another transaction. For our Malagasy contributors, individual campaign contributions have gone on to be reused across as many as 46 different language editions of Wikipedia and its sister projects: a reach no single print sale or stock license could match in a such tight timeframe, and without any marketing budget. That’s the ROI that matters here: not one payment, but compounding, borderless visibility and most importantly a meaningful added value to the global knowledge.

That’s the ROI that matters here: meaningful added value to the world’s shared knowledge.

A two-way exchange, not a donation

Framing this as simple generosity undersells it. Contributing quality images to Commons is a genuine exchange:

• The global community gains verifiable, freely reusable visual documentation of places, cultures, and species that were previously invisible or poorly represented online, closing real gaps in the world’s shared reference library.
• The contributor gains a public, permanent portfolio with real analytics of reuse and reach, skill-building through structured campaigns and peer feedback, and a credited body of work that follows their name across every project it touches.

It’s less a donation and more a long-term investment both sides keep drawing value from.

Madagascar is bringing professional-level work to the table

What stands out in our community’s activity isn’t just volume: it’s intent. Wiki Loves Earth contributors documented Madagascar’s biodiversity with the eye of field photographers. Wiki Loves Folklore campaigns paired careful photography with multilingual article-writing, treating imagery as genuine documentation tool, not an afterthought.

Then comes the real richness of being part of a community. With proper support, new contributors gain lasting skills on composition, licensing, and metadata: the fundamentals that separate a snapshot from a usable, professional-grade Commons file.

This World Photography Day, We want to remind that free knowledge photos never had license to be anything less than good. It never was.

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Wikimedia Community User Group Madagascar contributes to Wikipedia and its sister projects.
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